As I posted on various Flickr groups and reached out to different photographers in preparation for the event I wasn’t sure how many people would actually show up. I was so delighted when, as the Beets prepared to go on stage, I looked out at the assembled crowd and saw a whole pack of enthusiastic photographers looking back at me, cameras at the ready. I felt a flush of pride and a jitter of nerves that our idea actually worked. That feeling continued throughout the evening as Grass Widow and the Crystal Stilts played and the shutter clicked in time to the music.

The results were breathtaking! It was wonderful to see the photos in our Flickr group of the Museum looking so rock and roll.  Bob Gruen has taken a good look at the photos as well and contributed his feedback on the discussion board and here’s a slideshow of Bob’s picks below. Thank you again to all the photographers who participated for sharing your work with us!

As a public programmer I’m always looking for new entry points into an exhibition’s content and how to make that content accessible and engaging for Museum visitors. In conversations about public programming for the exhibit with Gail Buckland, the guest curator, she discussed how one of her goals with the exhibition was to focus on the photographers and the images they have created, not only on the musicians and bands featured in them. She also wanted to have an event that captured what up-and-coming rock photographers are doing now and invite them to participate.

Inspired by Gail’s idea, and because we love Brooklyn photographers, on First Saturday we are inviting local photographers to come and shoot the bands that are playing and post their photos to the Brooklyn Museum’s flickr group. Afterwards, Bob Gruen, a rock photography legend who is featured in the exhibition and has shot the likes of Bob Dylan, John Lennon, and The Clash, will look at the photos and blog about his favorites here!

The Beets.  Photo by Aubrey Stallard.  All Rights Reserved.

In addition, I couldn’t be more thrilled about the lineup of bands: The Beets, Grass Widow, and Crystal Stilts. In choosing the bands, my colleagues and I wanted to try to capture the feeling and energy of the Brooklyn indie scene that’s really taken off over the past few years.  To select the bands and capture the feeling of shows in clubs alternative spaces around the borough we teamed up with New York City indie show organizer extraordinaire Todd Patrick (aka Todd P.). I first went to one of Todd’s shows in Portland, Oregon in the late 1990’s, and felt there was something special and community oriented about it. Since then, he and I have both moved to New York and he’s been organizing shows in Brooklyn for years.  He really has his finger on the pulse of the scene here and able to spot talent as it emerges, while keeping that community vibe to his shows.

As a final note, even if you don’t take pictures you can participate by dressing up as your favorite rock star. I look forward to seeing you here with your camera and your outfit! You’ll know me, I’ll be the Brooklyn Museum staff member ensuring the bands have sound checked, the photographers are happy while dressed like a 1960’s French popstar.

West Indian-American Carnival 2008 – Brooklyn, NY by David Berkowitz via Flickr.

This is just a reminder that there’s no First Saturday in September, but there will be plenty going on around the Museum with the all events surrounding the West Indian-American Day Carnival Association’s Labor Day parade that will be taking place.

My colleagues and I are not taking a break, however, and are busily preparing for the next season of Target First Saturdays. We’ll be kicking things off on October 3rd with a collaboration with the Hungarian Cultural Center as part of their year long Extremely Hungary festival. We’re excited to offer a night of art and culture beyond visitor’s expectations that will include a performance by Vertical Players Repertory, an Opera Open Mic with Brooklyn’s beer swilling, jeans wearing opera singers from Opera on Tap, and a soulful dance party hosted by Brooklyn’s DJ Reborn and a top Hungarian DJ.

If you just can’t wait for October, you can join me on the Brooklyn Museum’s Facebook page during the month of September where I’ll be asking questions about visitor’s experience at and thoughts about First Saturday. Please join me. I’d love to hear what you think!

West Indian American Day Parade, 2006. Photo courtesy Sam Liu. All rights reserved.

I always know that Labor Day weekend is coming when the the stage for the events and concerts for the West Indian American Day Carnival Festival is assembled in the Museum’s back parking lot. These events add excitement to the still late summer air and culminate in the renowned on Monday with the Labor Day Carnival Parade on Eastern Parkway. For more information about all of the event’s you can visit WIADCA’s website and we hope to see you there!

There is no Target First Saturday in September because of all the festivities. However, my colleagues in the Education Division and I have been very busy getting ready to kick off our 10th anniversary season of Target First Saturdays on October 4th with “Brooklyn’s Biggest Birthday Bash.” I’m excited about all that will take place that evening to celebrate our 10 years and thank our visitors for all of their support, including: a showcase of emerging Brooklyn musicians Mark Yodice, Opsvik and Jennings, Christy and Emily, and Brazz Tree; ten curator talks in the Museum’s permanent collection; a performance by trailblazing artist Kate Bornstein; dance performances by Brian Brooks and Creative Outlet; a dance party hosted by creative-duo Andrew Andrew; and a special salsa dance party with Willie Alvarez and Trombori. There will also be cake. What birthday party is complete without cake? I hope you can join us in October with your party hat on!

Photos by Leah Golubchick

I am excited to announce Dawn Mostow as the winner of our Cosplay Costume Contest that was held at Target First Saturday on April 5^th. The theme of the evening was “Japanimated! The Arts and Culture of Japan,” which related to our two exhibitions of Japanese art, © MURAKMI and Utagawa: Masters of the Japanese Print, 1770–1900. Cosplay (which comes from the words “costume” and “play”) is very popular among anime and manga fans in both Japan and the United States. We chose to have a Cosplay Contest because in planning the program we were looking for an activity that would engage visitors and encourage them to participate celebrating the unique, creative cultures coming out of Japan. For this contest we invited visitors to come dressed up as their favorite anime or manga character and have their picture taken by our volunteer photographers Priscilla Vazquez and Leah Golubchick. Many people dressed up and you can see their fabulous costumes on our flickr stream. It was hard for our panel of judges to pick a winner from the many wonderful costumes, but all chose Dawn’s as one of their favorites.

Rei Ayanami from Evangelion, left, with Dawn at Target First Saturday, right. Photo by Leigh Paris.

Dawn is dressed up as Rei Ayanami, a character from the anime series Evangelion. Dawn chose Rei Ayanami because, “I wanted a popular character that is easily recognizable to anime fans, but also holds a visual interest to people not familiar with Japanese animation, thereby creating an interest in the genre.” Dawn has been involved in Cosplay for ten years and made her costume herself. She has a background in costume design, and is currently studying for an MFA at Pratt Institute. She remarked that making the costume was challenging because she had to work on bringing a two-dimensional character to life. Thanks to Dawn and everyone else who participated in the contest and made April’s Target First Saturday memorable! I hope you can all join us again in May.

A collage of works of art by Aiko Nakagawa

In organizing this symposium I hoped to create a platform for students producing scholarship related to visual culture to share their work with a wider audience. I initially imagined the symposium would attract local students. To my surprise and delight panelists are flying in from as far away as London and California. The panelists are: Kaori Hoshino, Brooklyn College; Meghen Jones, Boston University; Maya Kimura, California College of the Arts, San Francisco; Marci Kwon, New York University; Cindy Lisica, University of the Arts, London; Dawn Mostow, Pratt Institute; Pennylane Shen, New York University. If you join us on Saturday I would love to know what you think!

Roger Bonair-Agard in Masquerade. Photo by Peter Dressel

The first is a performance this Saturday, January 19, at 2 p.m. by Brooklyn-based Caribbean members of spoken-word collective louderARTS Project. It is hosted by Def Poetry Jam’s Roger Bonair-Agard, and features poets Hallie Hobson, Rich Villar, and Cheryl Boyce Taylor.

Next weekend, on January 26, we will be collaborating with the organization Domestic Workers United to present their short film “Work and Respect” in the Elizabeth A. Sackler Center for Feminist Art. Members of Domestic Workers United, many of whom are from the Caribbean, will talk about the film making process and their experience organizing for their rights as domestic workers in New York City.

I am really looking forward to both these programs which highlight many important voices from our community and, if you join us, we would love to know what you think.

I am very excited that Patrick Amsellem, curator of photography, is working with us on a web project in conjunction with the Goodbye Coney Island? exhibition he curated in the Luce Visible Storage-Study Center. We have created a Goodbye Coney Island? Flickr group which photographers can join and submit their best photo of Coney Island. From this pool Patrick will select four photos to feature in his posts on our blog throughout the run of the show.

This idea came about because the other day I joined Patrick for a discussion of Goodbye Coney Island? and he spoke about the popularity of Coney Island throughout the years as a subject for both American and International photographers. I am a casual photographer, and his comment reminded me how much I enjoy going to Coney Island to take pictures with my Polaroid, Holga and digital cameras. Every time I am there I see countless other photographers strolling the boardwalk in search of the perfect shot to capture the Coney Island’s essence. What a better way to pay homage to this fabled part of New York, I thought, than to engage some of the photographers in our community in conjunction with this exhibition of more than fifty photographs from the Brooklyn Museum’s holdings that traces its evolution over the past 125 years. We look forward to seeing the photographs everyone will choose to post!

To participate please join the Goodbye Coney Island? group on Flickr:

What is Flickr?

Flickr is a Web site where digital photos can be uploaded for sharing via the Internet. Basic accounts on Flickr are free of charge.

I’ve got a Flickr account. How do I find the Goodbye Coney Island Group?

The Goodbye Coney Island? Group can be found here. Once you join the group (click “Join this Group?” and confirm), you can share your photo by submitting it to the group’s pool.

I’ve joined the group, but how do I add my photo?

Go to your photo’s page, click on “Send to Group,” and then select “Goodbye Coney Island?” from the drop-down list. That’s it! Entries are limited to1 photo per person, so pick your best!

Art handlers installing Miguel Luciano’s Platano Pride and Miguel Luciano himself.

Over the past few months of teaching university students in Infinite Island, I have found that students instantly respond to works of art that incorporate ideas and images referencing popular culture. Pieces in the show such as the one by Miguel Luciano, Platano Pride, start conversation before I even have a chance to ask any questions because the students understand immediately the visual language with which the artists are working. This Saturday, November 17, at 2 p.m. we will host the third panel discussion in the Infinite Island discussion series which will focus on the role that music and popular culture play in contemporary Caribbean art and culture. I look forward to hearing more from the panelists about how popular culture and music can serve as sites for creativity and resistance in the Caribbean and Caribbean Diaspora communities. I know that the insights they share will enhance my teaching and the discussions I will have in the galleries with my students.

Panelists include Sujatha Fernandes, Assistant Professor of Sociology at Queens College, City University of New York and author of Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures; Raquel Z. Rivera, Research Fellow at the Center for Puerto Rican Studies, Hunter College, and co-editor of an forthcoming anthology Reading Reggaeton: Historical, Aesthetic and Critical Perspectives; and Infinite Island artist Miguel Luciano. The discussion will be moderated by Infinite Island curator Tumelo Mosaka.

If you join us we would love to know what you think!