Re-making the mess

Have you ever had one of those days where everything falls into place? When Eugenie Tsai blogged about Valerie Hegarty’s Fallen Bierstadt back in October, she mentioned we needed to do a follow-up post with our paintings conservator, Carolyn Tomkiewicz.  Eugenie said we needed get her to explain the process of arranging the debris.  This piqued my interest, but I got a little busy and forgot to follow-up with Carolyn.  Last Monday, I was touring a couple of friends around the Museum, which was closed for the day, and as we entered 21: Selections of Contemporary Art from the Brooklyn Museum, I spotted Carolyn on the floor with the debris:

carolyn_debris_400_1.jpg

Luckily, we all had plenty of cameras to document the moment and Carolyn was gracious enough to give us a quick on-camera video interview about what in the world she was doing. So, now, meet the conservator:

Having trouble viewing the video? It’s also up on YouTube.

Shelley Bernstein

Shelley Bernstein

Shelley Bernstein is the former Vice Director of Digital Engagement & Technology at the Brooklyn Museum where she spearheaded digital projects with public participation at their center. In the most recent example—ASK Brooklyn Museum—visitors ask questions using their mobile devices and experts answer in real time. She organized three award-winning projects—Click! A Crowd-Curated Exhibition, Split Second: Indian Paintings, GO: a community-curated open studio project—which enabled the public to participate in the exhibition process.

Shelley was named one of the 40 Under 40 in Crain's New York Business and her work on the Museum's digital strategy has been featured in the New York Times.

In 2016, Shelley joined the staff at the Barnes Foundation as the Deputy Director of Digital Initiatives and Chief Experience Officer.

Wednesday, April 22nd, 2009
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Conservation, Contemporary Art