Introduction didactic to Ghada Amer: Love Has No End with packing boxes. Photo by Sarah Giovanniello Last week we watched as the deinstallation of Ghada…
Read MoreAs part of September public programming here at the Center for Feminist Art, Ghada Amer and Reza Farkhondeh stopped by the Forum on Saturday, September…
Read MoreJuly was a hot month for programming in the Elizabeth A. Sackler Center for Feminist Art! First off, Ladan Akbarnia, Hagop Kevorkian Associate Curator of…
Read More(Ghada Amer (American, born Egypt, 1963) and Ladan S. Naderi (French, born Iran, 1960). I ♥ Paris, 1991. Three chromogenic prints from a series of…
Read MoreJune was a rather fruitful month for programs in the Elizabeth A. Sackler Center for Feminist Art! On Target First Saturday we listened to Ghada…
Read More(Film Still from Moolaadé (2004), directed by Ousmane Sembène.) This month’s Target First Saturday events at the Elizabeth A. Sackler Center for Feminist Art here…
Read More(Ghada Amer (American, Born Egypt, 1963). And the Beast, 2004. Acrylic, embroidery, and gel medium on canvas. Collection of the artist, courtesy of Gagosian Gallery….
Read MoreVenus, no. 192 (August 1988). “Numero special femmes voiles pour l’été 1988” (Special issue for veiled women, summer 1988). Collection of the artist While living…
Read MoreToday’s New York Sun “chats” with Ghada Amer, who opens up to writer Alix Finkelstein about her background as an artist, her take on Abstract…
Read MoreOn Wednesday everyone basically hit the ground running as we began the load in and installation for our latest exhibition Ghada Amer: Love Has No…
Read MoreA few weeks ago, Maura and I paid a memorable visit to the Conservation lab in the Museum where several of the works from the…
Read MoreArt handlers and staff go over packing details and take down wall labels. To the right, two large crates filled with works ready to be…
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