As part of our original messaging with soft launch, we deployed gallery labels advertising the app. This first round included questions that we hoped would…
Read MoreIn my last post, I discussed the wall murals and the state-of-the-art photo enlargements in Connecting Cultures. Today, I’d like to talk about a few…
Read MoreAs Kevin mentioned in his last post, Connecting Cultures is presented in thematic sections: Places, People, and Things, in addition to an Introductory Center. Since…
Read MoreAfter many months of object review, checklist creation, cross-departmental consultation, budgeting, conservation, design, research, writing, photography, editing, construction, painting, installation, and lighting, I am pleased…
Read MoreOne of the many adaptations that moving the African collection into the South Gallery on the First Floor has required has been adjusting to a…
Read MoreSome may have seen my post in December about my visit to a drafty construction site in Manhattan to view Situ Studio’s full-scale mock up…
Read MoreAs many may know Situ Studio, a Brooklyn based architectural and fabrication firm, has been preparing for their installation reORDER, which will be presented here…
Read MoreSince early 2007, I’ve been working with the noted photo historian Gail Buckland to create Brooklyn Museum’s exhibition Who Shot Rock & Roll: A Photographic…
Read MoreLast week we received a query via Twitter asking how we did the lighting in the Luce Visible Storage ▪ Study Center. This was a…
Read MoreThursday afternoon, around noon, I was doing an advance press interview with Modern Painter magazine about the exhibition Who Shot Rock & Roll, which opens…
Read MoreWith the opening of Click! rapidly approaching, I have been asked to describe my approach in designing and mounting this particular exhibition. It is important…
Read MoreOn October 23, 2009, we’re launching a major exhibition, Who Shot Rock: Photographers of Rock and Roll. Who Shot Rock will be guest curated by…
Read MoreA major factor influencing Brushed with Light‘s design was due to the delicate nature of watercolors themselves. Because the works are light sensitive it is…
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